Laurel Hardy by John McCabe

Laurel Hardy Reviews

• 
  Tittirossa

  Affettuosissima biografia del duo comico Stanlio & Ollio.
  E' bene chiarire da subito, che come Stanlio&Ollio sono conosciuti solo in Italia (non solo perchè si italianizzavano molti nomi d'oltre oceano, vedi Ridolini, Gianni & Pinotto, etc. quanto perchè in un loro film ambientato in Italia, Fra' Diavolo, scelsero proprio quei nomi per l'italianizzazione, e così rimasero). Una scelta che accentua il carattere bambinesco, a differenza dell'originale Mr Laurel& Mr Hardy, che sottolinea il loro essere adulti.
  
  L'affetto dichiarato per Stan e la passione per i film del duo permeano tutto il libro, che di biografico in senso stretto ha molto poco, privilegiando l'aspetto professionale, e il making of dei corto e lungometraggi. Ma il vero oggetto, la domanda su cui si interroga McCabe è il perchè del perdurare del loro successo.
  L'aspetto fisico di Stanlio&Ollio è un elemento sicuramente importante, ma non l'unico: la fisicità, la mimica, la dissonanza tra le intenzioni e il risultato delle azioni, sono state costanti di altri famosissimi comici (Chaplin, Buster Keaton). Comici che sono diventati famosi, peraltro, col muto ovvero con un paradigma secondo cui non erano necessarie parole, costruendo di fatto una sorta di alfabeto universale comprensibile a prescindere dalla lingua (o dal contesto culturale: Chaplin e S&O sono stati travolti da folle oceaniche* durante i loro tour sia negli Usa che in Europa).
  McCabe identifica la loro poetica con l'innocenza e una candida ignoranza, in contrasto con tutti i peccati e le follie del mondo.
  In effetti, non mi imbarazza vedere le loro gag che si risolvono in modo sempre tragicomico, e non mi sento idiota neanche a vedere un film basato solo su battaglie a torte in faccia, in cui fu usata tutta la produzione giornaliera di una fabbrica, tipo 2000 torte (fu fatto con l'intento di mettere la parola fine a questo escamotage). A differenza di quello che provo quando, per scherzi del telecomando, finisco su un cinepanettone con la sua greve e sboccata volgarità. Hardy era talmente "rispettoso" del pubblico che la gag della "cravatta frullata" nasce proprio per evitare una scena imbarazzante, in cui stava per soffiarsi il naso con la cravatta, ma si ferma imbarazzato un secondo prima perché ci sono delle signore in scena.
  Mentre lo sguardo fisso in camera nasce dalla loro lunga esperienza sul palco, è il modo per dare il tempo al pubblico di ridere e NON perdersi la battuta successiva.
  
  Sono andata a rivedermi alcuni loro pezzi su youtube, e che ci devo fare, a me fanno ancora sbellicare dal ridere.
  
• 
  Qt

  A wonderful book for fans of Laurel & Hardy. It's lavishly illustrated with high-quality photos and film stills from many of their movies and shorts, as well as a synopsis of each. I love looking at the photos--even in film stills, they make me laugh :-)
• 
  James Perkins

  The subtitle is "an affectionate biography", and it certainly is - like a bloke down the pub telling you about his best mates. It was fun to read, but I don't feel I really know Oliver Hardy and Stan Laurel much better, other than a few minor insights from Stan's widow and a couple of biographical details I didn't know before. The book focuses far too much on summarising their movie plots, and not enough on the personalities of the team, or the technical difficulties involved in setting up visual gags, or any juicy stories that might have affected them (even if they were not the perpetrators). The fact that this book was written over 40 years ago doesn't help - perhaps the writer could not be as scandalous as he might be today. The comedy duo appear to have been all-round nice guys, which is fine; I wouldn't want anyone to spoil what good memories people have of them. Even so, I'd like a bit more detail, particularly about their personal lives: after they got into movies, all we find out is that they were married, Stan was once divorced, Ollie (Babe) was a golf fanatic, and Stan was a workaholic...but these are only mentioned in passing, with almost nothing about how these things came about, or how such events affected them and their work. All in all, a good start, but could have been a lot better.
• 
  Jim Dooley

  This was the first biography I was ever moved to read at my own volition. I had long been a fan of the movies of Stan Laurel and Oliver Hardy. When I saw the bright yellow paperback on the rack, I just had to have it.
  
  The subtitle of "an affectionate biography" is very accurate. This is not a "warts and all" telling of The Boys' relationships. This is written by a fan who also had access to key players in their lives. (In fact, he married one of their co-stars.)
  
  Instead, the reader learns what it was like to make many of those films, and what Hollywood was like during that Golden Age. Brief glimpses into the lives of other performers such as Charlie Chaplin are a bonus.
  
  In the years since, there have been other books that delve more deeply into the foibles of Stan and Ollie, but I would still recommend this one for the true fan. After all, what is gained by opening each and every door?
• 
  Mike O'Connor

  Only wish it was twice as long.
• 
  Maura

  I guess I just don't understand the intended audience, or the purpose of this re-release. A lot of this book is spent giving a play-by-play of their movies themselves. If I'm a casual L&H fan (or even someone who's never seen any L&H), then I'm probably not getting anything out of these summaries, as I can't see the work for myself. If I'm an L&H buff, I'd find this quite boring, as I already know what happens in X movie. I would've scraped this format altogether.
  
  Then, this issue is a re-release; the original book is from 1961, then was amended and published again in '85. My question: why? The Dick Van Dyke intro was a lovely additive, I'll admit. What I would have appreciated, however, is a shift in focus from their popularity (explaining the big crowds that met them on their travels, for example) to their IMPACT. We got a glimpse of this in the discussion of their international reach (because physical comedy transcends language barriers), but I'd like a hindsight view, if we're going to re-release a book 24 yrs later. How'd they impact 20th century film & specifically comedy? Their role in the shift from silent to talking pictures? Depression-era entertainment? Their influence on cartoon? 2oth cent. entertainment that was for both kids and adults? If we want to get real - How minstrel work and overt racism in American comedy lead us to where we were in '85 (and, in turn, today)? LOTS of directions we could have gone and I was left wanting.
  
  Was the intent to make more money, cashing in on an L&H resurgence and Van Dyke brand recognition? Which... okay I can respect the hustle. The subtitle is "An Affectionate Biography" and though it is affectionate, it also has a critical twinge. This shift could have elevated the book from something that will no longer be relevant when the last L&H OGs pass on, to a deep look at the history of American comedy that will live on forever.
• 
  Patrick Broderick

  This was a relatively short but fascinating biography of arguably the greatest comedy duo of all time. Like their on-screen characters displayed, this book shows how sweet and sharing Stan and Babe were to each other, their film-making partners and the public.
  
  The origins of their comedic work came from the almost forgotten worlds of music hall revues, vaudeville and the classic silent films. Stan's gift for pantomime and his natural gift for comedy and instinctively knowing what's funny imbued their short one- and two-reeler films and the later features. Babe, as friends and family knew Ollie, was less interested in the nuts and bolts of film-making and writing than getting in a round of golf. But he implicitly trusted Stan, as did Hal Roach who gave them their big break, to craft a funny scene around the bare bones of an idea.
  
  The author met them after a live show in England in the early '50s and developed a distinctive rapport with Stan and Ollie. He wrote the original book in the early '60s, after Ollie passed away. The edition I read came out later, after Stan's death, with some more material in a final chapter - including the creation of Sons of the Desert, Stan's idea of a early film research group consisting of fans of their work.
  
  It was a wonderful book to read and now I really want to try to find their silent shorts as well as viewing the talkies again.
• 
  Marsha

  This book was an interesting read. I used to watch Stan Laurel and Oliver "Babe" Hardy movies on TV when I was a little girl. However, as the author states in the book that it really bothered Laurel how the movies were chopped up for TV to allow for commercials. He did spend a considerable amount of time and effort helping with the editing when he and Hardy were working with Roach Studios to make sure the comedy was just right. Times have changed and we have different expectations for our comedy today, but after watching on YouTube some of their short films, it is interesting to see how much comedy today stems from their ideas and talent. Their talent was very physical, slapstick and goofy fun. Laurel and Hardy did get along well professionally and had respect for each other and worked well together. I enjoyed reading this book and learning about them.
• 
  Kelly (smeets_x)

  I have loved Stan and Ollie for so long I can't believe it's taken me so long to read a biography. My mum spent a lot of my childhood educating me with old films and Laurel and Hardy were real favourites.
  
  This biography is truly a biography of a fan but someone that has studied his subjects, and their comedy. Although personal information is included, it is anecdotal rather than in depth and there is a chapter on their individual histories before they meet at the beginning of the book. Some films are described and analysed in detail which I found a bit dull when I had not seen those particular films. This would be a great book for a scholarly fan, who loves to analyse comedy - what makes people laugh? Why were Laurel and Hardy funny? On the other side, I wish McCabe had included more biographical detail about their lives outside of film, hence the 4 stars.
• 
  Holly

  Genuinely one of the best books I've ever read - paints such a vivid, warm, lovely picture of Stan and Ollie as people, and a really interesting one of them as artists. McCabe was a close friend of Stan's and an acquaintance of Ollie's - and the love they felt for each other as artists and friends really shines through. A really, really wonderful book.
• 
  Michael Clancy

  I love Laurel and Hardy and I thought the world of this book when I bought and read it back in the late 1960's / early 1970's. Just finished re-reading it today and I still love them.
• 
  Ian Wood

  ‘Mr Laurel and Mr Hardy’ is billed as an affectionate biography and so it is, it has no detail of the personnel life of the two stars, unsavoury or otherwise, and concentrates on a professional biography of the pairs film work with a brief pre-meeting biography. When the book gets going it is merely a summarisation of the films the pair were working on and a bit of background on some of the better known ones.
  
  The book is a success because it brings to mind scenes from the films which then play out in the mind of the reader recapturing a sense of the hilarity when the films first were watched by the reader. In that this book is fantastic for anyone with a familiarity to the films of Laurel and Hardy but would bring nothing to a casual reader with only passing knowledge of there films.
  
  Being fortunate enough to have a great wealth of knowledge of the films of messes Laurel and Hardy I enjoyed reminiscing with McCabe but wouldn’t recommend this book to anyone wishing to discover the delight of these great comedies from new.
  
• 
  Long John Silver

  Mia recensione:
  
  
  https://ilrifugiodilongjohnsilver.blo...
• 
  Alex Davies

  The author of this biography, John McCabe, was in a unique position, in that he was the only writer out of all the various books on Laurel and Hardy, to have interviewed the men themselves.
  After having conducted most of his interviews with the comedy team in the mid 1950s in England, john McCabe has written an accurate, affectionate and very readable biography which focuses more on the men behind the comedy, rather than on the films themselves.
  The only minor quibble I have to mention, is that I would have liked to have seen more photos included.
• 
  Matt Hamilton

  A lovely inside look at the men who made the movies. While there is biographical information about the comedy duo, including interviews with Stan and Ollie, the sections about their comedic process and philosophy are truly interesting insights into a by-gone era of filmmaking. It truly is a loving biography and the author's immense love and respect for Laurel and Hardy as people shows through in every page. What a beautiful tribute to the men who made so many people smile!
• 
  Kirsten

  Wonderful photos....good history....a little too much philosophizing about the "latent homosexuality" between Stan & Ollie sharing a bed in their movie "Laughing Gravy." Would have loved to learn more about their later life, especially their trip to Scotland.
• 
  Somerset Bloke

  If you like Laurel & Hardy then this is a book for you. Rather obvious you might say, but here, John McCabe does an excellent job in getting to the hearts of these two great men. This is not just an account of their lives, no, this is much more than that. Go get a copy.
• 
  Kathy Hale

  A critical look at the beginnings of Mr. Laurel and Mr. Hardy. The author not only did some biographical sketching but analyzed why they were funny and their innovations. I bought omit was amazing that people of the Hal Roach Studios used to go to the movie theater an time the laughter.
• 
  Pat

  Some of the comments of their movies could be a little deeper I wanted more insight. It is a fun book though for L&H fans.
• 
  Gary Shapiro

  Fine look at the careers of these two great clowns.