Waldo's Hawaiian Holiday: The \ by Alex Cox


Waldo's Hawaiian Holiday: The \
Title : Waldo's Hawaiian Holiday: The \
Author :
Rating :
ISBN : 0977562824
ISBN-10 : 9780977562824
Language : English
Format Type : Paperback
Number of Pages : 176
Publication : First published March 31, 2008

1980s cult film Repo Man gets an official sequel in graphic novel form... with a script by original writer/director Alex Cox.

Cox explains: "After Repo Man, I became interested in the idea of a sequel. Specifically - what had happened to Otto, during his ten-year absence from earth? And what would he make of the changes which had taken place in his absence? Otto, it would appear, has been held prisoner, in great luxury, on the planet Mars. Now he has returned to earth, and changed his name -- to Waldo."

Waldo, recently returned from Mars, is forced to choose where his allegiance lies - his boss, Duke Mantee, or the sex goddess, Velma; money or knowledge; the past or the future; Earth... or Mars?


Waldo's Hawaiian Holiday: The \ Reviews


  • Toby

    Quasi-sequel to Repo Man that doesn't make any sense and after the recent Bill the Galactic Hero movie another demonstration of why Alex Cox can't get anything made these days. Repo Man seems to have been something of a one-off success and this sequel certainly doesn't live up to the brilliance of the original movie.

  • Rob Kristoffersen

    In 1984, Alex Cox brought us Repo Man, a cult classic film; certainly one of my favorites. It was an unconventional film, a story that wove together the subjects of the 80′s punk movement, the life of repo personnel, and extraterrestrials. The humor being so low brow that you really had to pay attention, but had big payoffs. The chemistry between Emilio Estevez and Harry Dean Stanton on scree as Otto Maddox and Bud was gold, and the ending of the film, so unconventional and mysterious, that there is a lot to love about and find in it. If ever there was a list of films that one person should see in their lifetime, this would be on it, no question.

    Thirteen years after the film was released, Cox found himself craving a sequel; he created a script, put a production team together, and even shot test footage, but sadly, the film was never picked up by any studio. Cox never abandoned hope on the project, going so far as to put the entire script on his website, and in doing so caught the attention of artist, Chris Bones. Together with Justin Randall, the three produced a 176 page graphic novel that reads like a fever dream.

    After ten years, Otto returns to earth as Waldo Parks, and attempts to survive mid-90′s Los Angeles. Waldo runs a muck of 90′s telemarketing, and get rich quick schemes that never pay off, except for a trip that he wins to Hawaii. Cox and company present this form of America, where the American Dream is more of a Panzi scheme. The tone of both works are very similar, though Waldo’s Hawaiian Holiday is given an updated tone to accommodate the time period. Together with a cast of characters that are stranger than its film predecessor, Waldo goes on the an unconventional journey, that serve as a quasi-social commentary that’s pay off is a little more clear, even if it’s absurd on the face of it.

    The alien paranoia from Repo Man is a prevalent part of this story, and is given further explanation. We find that Waldo was living on Mars for the last ten years and that this story is exploited on Mars as Otto/Waldo watches his life unfold on television with two female martians. These martians later visit him on earth and expose their design of Los Angeles as a prison for humans, which like the American Dream, will make these Martians rich.

    The universality of themes is cause for great laughter, as well as relatability. On the cover of the book, it’s stated that this is “the quasi-sequel to Repo Man;” even further, it feels like a quasi-take on The Great Gatsby‘s themes of the American Dream and how chasing for it can be tragic and empty. Waldo never does go on that Hawaiian Holiday, and is left with nothing at the end of the story, but does that make him tragic? Not hardly, his outlook on everything is proof of that. Cox never denies one vital thing though, that it all comes down to choice. That our choices leave us broke, and lead us down strange paths. Through an out-0f-date American who makes every conceivable wrong choice in his life, Cox presents a social commentary that is extreme on the face of it, but is relatable on all levels. If humanity ever turned out to be a fever or flu, at least there were pleasures to take hold of, no matter how temporary they are.

    At the end of the book, Cox & co. leaves you with little hope, but not complete despondency; at least, nobody made it out of this book unscathed, but some are better off than others. Misery has its silver linings, all you have to do is find them.

  • Matt Shaqfan

    this is the sequel to the awesome movie- REPO MAN, also written by alex cox. it takes place 10 years after REPO MAN, with otto (now called 'waldo'?) returning home after hanging out on mars. know how that movie's great but doesn't make sense some of the time? this book makes sense none of the time and wasn't as great. i didn't get bored, but i wish this was way better.

  • Patrick

    Disjointed, disappointing "sequel" to Repo Man. And while I'm at it, what the heck happened to Alex Cox? Repo Man is one of the great debut movies in recent decades. Walker, Straight to Hell, Death and the Compass...these movies showed that wasn't a fluke. His Film Comment column continues to be great every month, so the passion is still there. Was it really just a matter of money?

  • Will

    I am glad I read this as a physical book - if I'd read it as a digital file I'd have suspected that the pages were out of order. Semi-entertaining despite being disjointed. Even though the main character is shown to be a fool, his positive outlook wonderfully counterpoints the cynical depiction of life in the capitalist USA and makes this well-worn criticism palatable.

  • Kristen Northrup

    They got a good colorist; that's a positive. Otherwise.... There's sometimes a reason that no one wants to make your movie.

  • Christian Lipski

    Not bad. It is in the crazy world of Edge City, and "Waldo Parks" returns from 13 years away from Earth. Um, weird things happen.

  • Laura Jones

    Disjointed.

  • arjuna

    Absurdist, great flavour, makes no sense whatsoever, beautifully drawn and coloured.