Horseman, Pass By by Larry McMurtry

Horseman, Pass By Reviews

• 
  Robin

  Larry McMurtry wrote this brilliant coming-of-age novel in 1962 when he had barely come-of-age himself, at just 25 years old. This, the first of thirty-something novels he'd write in his life, is a gorgeous commencement to a remarkable career. It's also a gorgeous commencement to my reading year.
  
  The story is set in Thalia, Texas (the same little town I visited in The Last Picture Show), on a cattle ranch belonging to Homer Bannon, a tough, grizzled horseman. He's old, and is the grandfather of the narrator, 17 year old Lonnie. It's through Lonnie's eyes that we see the both the brutal and the beautiful aspects of ranch life. It's mainly brutal, I'd say, and lonely, and dangerous. No romanticizing the cowboy here. But there are lovely moments too, all the more meaningful for their rarity, in the occasional spark of wild freedom, sweet cherry pie made by a kind soul, a magnificent sunrise.
  
  Lonnie is motherless, and full of the hungers of a young man his age. So the severe life on the ranch is also coloured with his longings, a startling juxtaposition, and one that moved me. It warms the melancholic story, infuses it with the hopeful energy of desire, whether it's for the soft tops of a woman's breasts, or for a better life.
  
  We can't blame him for wanting something better. While he has a friend in Halmea, the housekeeper, his life is hard and uncertain, especially after a case of foot-and-mouth infests the cattle. He's also got an unpredictable step-uncle, Hud, who is extremely cruel and violent.
  
  At times, the description gets a little long for my liking. I do understand the importance of setting in this book, and how McMurtry needs to put us there (and he does, with such fine, atmospheric prose). But there are parts that seem a bit much, stalling momentum. Long paragraphs really are the death of me. That aside, what an elegant debut - and only 171 pages?? Yeehaw!
  
  As I mentioned, this isn't a romantic, sentimental take on western life. At the end, though, I couldn't help but feel my heart quicken for those old horsemen of the past. I caught my breath, I wiped a tear.
  
  This is how you write.
  
  4.5 stars
• 
  Brian

  “He told me that nature would always work her own cures, if people would be patient enough, and give her time.”
  
  “Horseman, Pass By” was Larry McMurtry’s first novel. It is also the first book in what become known as the Thalia trilogy. For the first 20 pages or so the story did not grab me, and then suddenly it did, and I was in full throttle. It is a short text, so once it grabs you it tears you across the finish line quickly!
  The story takes place on a ranch outside of Thalia Texas in the years after WW II. Told mostly from the point of view of 17-year-old Lonnie Brannon, the primary focus of the novel is Lonnie, his 85-year-old grandfather, and Lonnie’s step uncle, known as Hud. These men, in different stages of life, create as a whole the picture of Texas manhood in all its increments.
  This is the fifth McMurtry novel I have read thus far, and in all of them there is no judgment. The author does not telegraph how you are supposed to feel or interpret events. He just depicts events with flesh and blood characters, people whose motives you may partially know, or think you know. But judgment on their choices and actions lays squarely on the reader’s shoulders. McMurtry wants no part of telling you how to take it.
  I love that about his writing!
  Some highlights in this text for me include:
  There is a beautiful and atmospheric moment where Lonnie takes a ride on the ranch at sunup. The writing is, in a word, lovely.
  Late in the book Lonnie attends a funeral of someone close to him, and through his perspective we get a view of death that those of us who have reached middle age have probably forgot we ever had. It is honest, but not cloying. One of the best depictions of a person’s thoughts during a funeral that I have come across.
  The last line of the Epilogue is a perfect ending, and one that takes a few minutes after reading it to understand why it is so.
  “Horseman, Pass By” is a modern story of the American west. It is a story about men, and what that can mean. It is about life. It is a book that will still resonate 100 years from now.
• 
  Libby

  4+ stars - The only book I’d ever read by Larry McMurtry before this one was ‘Lonesome Dove.’ I tried one other, can’t remember which, but it didn’t go down like the first, and I put it aside. ‘Horseman, Pass By’ is McMurtry’s first novel, written when he was 25 years old, published in 1961. It’s remarkable for its rich characters, place setting, and complex themes.
  
  Halmea was probably my favorite character. She is a black housemaid and cooks for the Bannon household, living in a shack on the property. Of note is her ability to please Grandma, Homer Bannon’s second wife, undoubtedly the hardest job on the ranch. Admittedly, she will sit and read a romance novel and put off washing the dishes, but she unabashedly lives in her own skin. 17-year-old Lonnie Bannon is the main character and it is from his perspective that we will see everything unspool. This is a novel that shows the objectification of women. Men speak about women in blatant sexual terms and this is the environment in which Lonnie is coming of age. He has a crush on Halmea but he also knows her as a person. McMurtry shows that Lonnie is also a creature of his environment and as such will have this push-pull between seeing her as a person and as an object.
  
  Lonnie’s grandad is Homer Brannon, an octogenarian who owns their ranch in Texas. Homer puts in a hard day’s work and he’s ready to go to bed not long after eight at night, just after the train goes by and blows its whistle, reminding him of lonesome days when he would gather with his cowboy friends around the fire on roundups. Homer owns a couple of longhorns and an old bull. They are emblematic of Homer, reminiscent of the old ways and times gone by. Homer is an active person, lining up the work for the day, in charge of the two cowboys who work for him, and Lonnie falls in line with this, spending days fencing and other laborious jobs. For the first time, Lonnie is starting to notice that his Grandad is old. When a young heifer falls dead, and a veterinarian is called to ascertain the cause, a series of events unfold that will take a toll. Homer Brannon has survived many hard and tragic times, but he’s older now.
  
  Homer’s stepson is Hud. The title of the movie based on this book is ‘Hud.’ Paul Newman stars and the trailer says “the man with the barbed wire soul.” That’s an apt description. In the first two pages of Hud’s introduction, McMurtry uses words like “shoved,” “smirked,” and “sourness.” The violence in this man is clearly evident, but the family members have accepted it and step around it, look away from it, or deal with it the best they can. I’ve known people like Hud, who are determined to cause trouble any way possible, but most are more subtle. The barbed wire in them will cut you coming and going, but you might not know what hit you till you start pumping blood. There’s a cruelty in them that wants to see somebody else bleed. The brutality in Hud is too deep for subtlety. Catalysts for change in real life just as they are in novels, they will suck the air out of a room or off of a page. Seldom have I met a character that I disliked more intensely.
  
  Jesse is the hired hand. He’s a lonesome type and Lonnie thinks Jesse is always feeling sorry for himself. Lonnie spends a lot of time with Jesse, soaking up stories about the rodeo circuit, being on the road, and seeing a myriad of different places. It seems like Jesse is settling for the life he has without the will to try for anything better.
  
  The movies that McMurtry writes about, the songs they listen to on the radio, and the setting all immerse me in Thalia, Texas in 1954. Lonnie was the perfect protagonist, young enough for those indelible impressions and too young to have any influence on outcomes. This is a solid 4-star book for me but goes to a 4+ for McMurtry’s beginnings and endings. This book ends twice, the first time so simply and perfectly that it just left my mouth and heart in a sigh of oh. The second time, in the epilogue, I say to myself, how can he do that again in so few pages.
• 
  Diane Barnes

  A powerful and beautifully written book about day to day life on a cattle ranch, which is upended when hoof and mouth disease makes an appearance. Gritty realism from the 17 year old grandson of the ranch's owner who narrates this one. I loved this story of the meeting place of the old West and the new breed. 82 year old Homer Bannon doesn't understand why the government can tell him what to do with his own land. His stepson Hud is an unscrupulous man with no morals, and grandson Lonnie is just trying to make sense of it all. Add in two ranch hands and a cook/housekeeper who is jaded and not surprised at anything, and you have the makings of a classic western drama.
  
  This novel was the basis of the 1964 movie "Hud", starring Paul Newman as Hud and Patricia Neal as the housekeeper, for which she won a best actress Oscar. I saw this movie at least 50 years ago, but it is available on Hulu, so I plan to watch it again soon. I'm not sure what liberties Hollywood took with the book, but I do know of one big one. In the book, the housekeeper Halvea is a black woman.
• 
  Fred Shaw

  McMurtry has to be my favorite author because he wrote my favorite book "Lonesome Dove "and so many more classics. This is a fantastic story and McMurtry shows off his uncanny ability to create lovable characters and lives so real you want to try and find them.
• 
  Andy Marr

  Classic McMurtry.
• 
  Murray

  beautiful hard truths like Hemingway
  
  🐎 McMurtry like Hemingway tells you the deepest and often enough the hardest things by describing them in how people walk, what the river is like at sunrise, how the sweat feels on your body at high noon, what the stars mean to a man or woman who can’t sleep.
  
  🐎It’s different writing than his Old West novels. The blood and slaughter is gone but the tragedy is still there. It’s very much the realism and reality of everyday life and everyday hurts offered to the reader in rugged everyday prose but prose like a river, a river of shifting colors and poetry in every kind of hue, poetry we all understand and feel to the marrow.
• 
  Laura Leaney

  Maybe the reason I love McMurtry is the powerful way he evokes the emotional truth of a place through its disparate physical details: the way a man slaps his gloves against his leg or “two young dog coyotes trotting along the edge of a ridge” or “a big freezerful of peach ice cream, rich as Jersey milk.”
  
  In the foreground of this story is the narrator, Lonnie, whose heart is an adolescent reservoir of sexual and spiritual longing. He is the stoic poet, a boy who spends many a night beneath the big fins of the ranch’s windmill to see “across the dark prairie.” Below him, the lights and sounds of the far off town of Thalia, chickens and whippoorwills, create a deep and beautiful melancholy. He says,
  
  Sitting there with only the wind and the darkness around me, I thought of all the important things I had to think about: my honors, my worries, my ambitions.
  
  External to Lonnie’s rich inner life are the relationships of the ranch he lives on. Raised by his grandfather (and the second grandmother), Lonnie is not completely orphaned. The love and admiration he feels for his grandfather, the old-time rancher Homer Bannon, is tempered by the knowledge that Homer has his flaws. Included in the cast are particular “types”: the sour and cynical Jesse, the goofy Lonzo, the hypochondriac grandmother, and the laughing/irreverent/soulful black housekeeper Halmea. Despite the conventional nature of their characters, all seem genuine. I know these people. The stranger in their midst is the boy-man Hud, the son of Homer’s second wife, who has also been raised on the ranch. His mind and heart are unreadable. He is the cruel poison of the book.
  
  “Dey’s a snake in this yard,” says Halmea to Lonnie, “I stay right here and watch him.” She’s referring to the cottonmouths and rattlers that inhabit the grasses in the yard – but the presence of the dangerous Hud is more frightening than the snakes, and later even more toxic than the disease that infects and destroys Homer’s cattle.
  
  Still, reading the book a second time made clear to me what might have happened to Hud. He wanted to go to college – but Homer made him enlist. He wants more power on the ranch, but Homer (like so many old men) is not going to share. He may have been born mean, but the reader will never be certain of the “why” of it. We’ll only ever know the results.
  
  The events that happen in the book are tragic, but the writing is gorgeous and deeply moving. I fully empathize with the teen-age Lonnie who doesn’t totally understand the emotional landmines that surround him and doesn’t like the changes he sees.
  
  "Things used to be better around here,” I said. “I feel like I want something back.”
  
  "Pity,” [Halmea] said. She picked up her pillow and held it in her lap. “you mighty young to be wantin’ things back,” she said.
  
• 
  Lori Keeton

  Horseman, Pass By is Larry McMurtry’s very first novel, published in 1961 when he was only 25 years old. I recently read an older article in Texas Monthly written about McMurtry and how he came to write this novel. I cannot sum up McMurtry’s introduction into the Texas literary scene with a novel that caused a stir any better. Here is a link to the article.
  
  
  https://www.texasmonthly.com/articles...
  
  I enjoyed the plush prose that described the North Texas landscape. Having lived many years in Wichita Falls, Texas, I can attest to the beauty of the ruggedness. McMurtry describes it in this way:
  
  I remember how green the early oat fields were, that year, and how the plains looked in April, after the mesquite leafed out. Spring had come dry for seven straight years, and Granddad and the other cattlemen in Dry Bean County had had to watch the bare spots widening in their pastures. But that year the month of March was a long slow drizzle, and when it ended, the bare spots shrunk again and new grass carpeted the flats.
  
  McMurtry creates very realistic characters that evoke the atmosphere of the harsh and brutal realities of 1950’s ranch life in Texas. Homer Bannon, Granddad, is the patriarch who has spent his 80+ years working his cattle ranch to prosperity. His joy is seen in his riding over his land of which he is affectionate. A typical old-time rancher, he is loved by few and feared and respected by many. His 17 year old grandson, Lonnie, is his only living blood relative whom he loves and tries to pass on the ways of the old cowboy traditions with his stories. Jewel, Homer’s second wife, is whiny, complaining and never satisfied. Her 25 year old son, Hud, is selfish, reckless, despicable, meaner than a snake without any compassion for anyone or anything. Hud only views the land for its material value (oil), for what it can get him. His actions throughout the novel are downright cruel and heartless.
  
  Lonnie is a restless dreamer who is torn between his duty to his Granddad and his desire to get out of Thalia to richer pastures. His life’s experience has been all about the ranch life and he wants to broaden his horizons especially after listening to the tales of the ranch hands. Lonzo and Jesse’s stories of rodeos and lots of women are enticing and create conflict for the young Lonnie. Lonnie is also enamored my their black cook and housekeeper, Halmea who is kind, wise and understanding. She’s a bit quirky and sassy but she really understands Lonnie and his restlessness.
  
  The novel tells a tragic and merciless story of the hard life of Texas cattlemen. When a cow turns up dead the plight of the ranch comes into question. Granddad is faced with his known way of life fading away and how he will or won’t fit in to the new ways. McMurtry explores loss on several different plains and the effects of these losses on those who experience them. There is much to ponder in this short volume but definitely worth your time.
• 
  Carmel Hanes

  I'm not as enamored as my husband is with cowboy stories, but I did love the Lonesome Dove series on TV (some of the best cowboy characters I've ever come to love--"Lori darlin'"), and this was rated positively by some GR friends so I decided to give it a try. I was in the mood for a change of pace and this seemed to fit the bill.
  
  It's a quiet story, reflective of a way of life some relish and some run from. Where the dust and heat and fatigue from a hard day's work sends you early to bed; where visions of bigger and better and more exciting can fill your dreams, or harden you into a scoundrel. We see this family through the eyes of a teenage boy, as he comes to grips with the nature of those around him: an aging grandpa, a cantankerous grandma, a nefarious stepbrother, and a housemaid who appears to be his closest friend.
  
  While there are some dramatic moments in the novel, the bulk of it is a mosey through the daily struggles to get along, to take care of the land and animals, to find moments of pleasure where they are to be had, and to understand...each other and life...to deal with the losses and challenges that are thrust upon us. Even when things seem bleak, there can be windows of hope looking out to the horizon.
  
  
• 
  Suzy

  4+++ stars
  
  I am so happy to have read this book. McMurtry's writing is amazingly vivid, conjuring up scenes of dusty ranches and small towns, introducing a cast of characters who seem authentic to the times (1954 post-WWII Texas) and creating a complete story in 179pp. I knew nothing about Horseman, Pass By before reading it and am thankful I went in with fresh, unprejudiced eyes.
  
  Horseman, Pass By is told through the eyes of 17-year old Lonnie, Grandson of ranch owner Homer Bannon. Lonnie is both observer and participant in the family and ranch operations. He has lost his mother, father and grandmother and gained a step-grandmother and step-uncle when his grandfather remarried. We are dropped into this book just as Homer has learned that he possibly has a case of the very contagious hoof and mouth disease in his herd, which sets off a whirlwind couple of supercharged weeks of uncertainty and decision-making that brings out the best and worst in the family, their maid and its ranch hands. McMurtry's storytelling swept me up, as the ranch comes to grip with what's happening, going on with their day-to-day lives, but with the backdrop of the uncertainty of the fate of the cattle. All the while, Lonnie remains a little at arms length. and we can see he is grappling with how he wants to be in life as he listens to stories told by the ranch hands and his Granddad.
  
  As he tells his story, he talks about his step-uncle, Hud, who plays a small but pivotal role in the book. Hud?!!, I said. The Hud?! Yes, indeed it is the Hud of the movie of the same name, a classic from the early 1960's. Hud is not an admirable character in the book nor the movie, and as I read the book, I kept thinking "don't be like Hud, Lonnie!".
  
  I watched the movie again the other day and clearly saw why it was nominated and won Academy Awards. The movie substantially changed the book, especially as Hud was the star of the show, not the minor character in Horseman, although I think if filmed as written it would not have been the stellar film that it was. So my conclusion is that the book is a much richer experience, but the movie is a classic of black and white filmmaking. And what's not to like when it stars Paul Newman!
  
  End note: McMurtry was only 25 when he wrote this his first novel. Imagine that then it was almost immediately made into a movie that was Paul Newman and the director's first project in their new film production company. And the rest is history, folks!
  
  Why I'm reading this: This is the January pick for On the Southern Literary Trail so I thought I'd join in since it was available from my library. It also fits my current favorite category of books - those under 200pp.
• 
  Henry

  The debut novel by the author of the Pulitzer Prize winning "Lonesome Dove." This is a magnificent book, beautifully written and incredibly moving. As Lonesome Dove told the epic story of the old west, this novel set in the new west, i.e. 1950's, also tells a riveting story. For those not aware, the great Paul Newman movie "Hud" is based on this book.
• 
  Jason Koivu

  This being my first Larry McMurtry book, I didn't know what to expect. I was pleasantly surprised! But boy howdy, he sure does take his time getting around to the story! There's so much in the world to describe and he doesn't seem to want to miss a bit of it. When he does get around to the plot and the action rolls out, it's a regular kick to the gut!
• 
  Camie

  Sweet natured teenaged Lonnie is growing up on a dusty post WWII Texas ranch where his stern grandfather Homer Bannon and his carousing step Uncle Hud frequently lock horns leaving him mostly dreaming of life away from the ranch. This is a simple melancholy tale that’s been called a novel worth being rediscovered, and is the basis of an old Paul Newman film titled Hud.
  This is McMurtry’s debut novel and since later he went on to write Lonesome Dove a personal all-time favorite, I was happy when one of my clubs chose it this month.
  4 stars - read for 1/21 OTSLT Club
• 
  Nooilforpacifists

  This was the start of a 40+ book career, a book he wrote while attending North Texas State. Imperfect, but astounding first work.
  
  
  "All of them wanted more and seemed to end up with less; they wanted excited and ended up stomped up by a bull or smashed up against a highway; or they wanted a girl to court; and anyway, whatever it was they wanted, that was what they ended up doing without."
• 
  Ned

  If you've ever been a frustrated boy on a ranch, or a farm, isolated and yearning, you will be able to relate to this 17 year old protagonist. McMurtry offers an authentic case of spare prose, no adornments or sentimentality, of this lad as he watches a generation (his grand dad) pass and the takeover of a rapacious new order (Hud, the son of his grand dad's second wife). This book offered the everyday sights, smells, angst and beauty of north Texas in the 50's. The black servant provides unwittingly a source of humanity to the lonesome Lonnie, as well as sexual intrigue. She's onto him, though, and gently teaches him what it means to suffer and the strength of survival. They find joy together in small things and humor. This book had parallels to The Last Picture Show, the slow paralytic nature of life in small town Midwestern America, and the yearning that is always present. The cruelty of Hud, who cares little for Lonnie and inflicts pain on all those around him, reminds me of the tyranny of Curley in Steinbeck's Of Mice and Men. This is a quick read, and told in the simple language of a people in a place and time. I appreciate Larry laying this down, its real, you will taste the dust and retch in the afternoon heat. But he will cool you down in the evening, when the sun drops on the horizon and spreads its brilliant crimson and yellows across the barren land. The animals will call and the cool springs will flow, and you may get lost in this paced out summer of longing and physical deprivation. These types of experiences would be lost if not for fine novels such as this.
• 
  Joseph

  The novel that started it all. Always to the point, McMurtry keeps the narrative brisk. Told from the viewpoint of seventeen year old Lonnie, the book details the trials and tribulations of growing up on a Texas ranch. Lonnie wrestles with a bit of wanderlust as he watches his grandfather's cattle kingdom go up in smoke. Along the way we get to know Lonzo, Jesse and most of all Hud. The book provides the background for the motion picture Hud starring Paul Newman. Definitely a worthwhile effort and probably my favorite McMurtry novel.
• 
  Shane

  Might is Still Right
  
  My first McMurty novel, and I am certainly going to read more of him. He captures the American West with great flair and understatement, and avoids all the Hollywood cliches, even though many of his books have been turned into films, and he himself had a screenplay writing career in Tinseltown.
  
  Lonnie Bannon is the sensitive 17-year-old living with his grandparents, having lost his parents along the way (we are not told much about when, where, or how). He idolizes his 86-year old Grandpa Homer, who is resisting change and trying to make a go of it at raising cattle. Hud is the villain of the piece, Homer’s stepson, misogynistic, opportunistic, sadistic. Hud hates his step-father for sending him off to the war, and doesn’t do much around the ranch except run around at night, partying and sleeping with other men’s wives. Hud’s openly stated ambition is to usurp the Bannon ranch from his aging stepfather.
  
  There are also some secondary characters who are well drawn: Halmea the black domestic help, and Jesse the lonesome cowhand who has spent his years in the rodeo business amassing many experiences but not a nickel to his name. The suppressed sexual tension oozing between Lonnie, Halmea, and Jesse is palpable, although Hud is the only one able to act upon it—and how he does!
  
  With some foreshadowing of what’s to come, we realize that there is trouble when the dreaded Hoof and Mouth Disease strikes the Bannon herd, forcing Homer to make tough choices: kill the herd, liquidate, or sell oil rights on his land? He rails, “What good’s oil to me? What can I do with it? With a bunch a oil wells. I can’t ride out ever day an’ prowl amongst ’em, like I can my cattle. I can’t breed ’em or tend ’em or rope ’em or chase ’em or nothin’. I can’t feel a smidgen a pride in ’em, cause they ain’t none a my doin’.” One wonders whether this cattle disease is too convenient for Hud or whether he has had something to do with it, although according to Lonnie, “Hud had done everything he could to keep Homer from buying the Laredo cattle—he hated the whole South Texas area, and especially the Mexicans that were in it.”
  
  The annual rodeo comes to town and Lonnie tries to escape his domestic strife by looking for girls, booze, and entertainment, all of which seem hard to come by for him, given his deeply introspective and sensitive nature. McMurty evokes the atmosphere of the rodeo very well, a time when women and men drink to excess and cross boundaries, when animals go onery and maim their riders, when everyone lives an unnatural existence for four days and returns to normal life a bit changed.
  
  There were some elements of stagecraft that were lost on me. I couldn’t understand how Hud had such a hold over his step-father, and how old Homer made it so far from home in his nightshirt on the fateful last night of the rodeo. And most importantly, why someone didn’t beat the crap out of Hud for his in-your-face, upstart and immoral behaviour. Cowboys, you custodians of the upstanding moral code of the American West, where were you hiding?
  
  This is a tale of loss. For not only is the beloved herd lost (midway in the book, so no spoiler), but Lonnie starts to lose the people who matter to him, including his home. And even though the events leading to the ending are dramatic, the climax fizzles out. The avenging cowboy laying the bad guy low does not happen, cliché though it is; instead the ending reinforces that Might is Right in America, that change is hard-to-impossible for the older generation, and that crooked people win over honest ones. I was reminded of that Shakespearean quote “The evil that men do lives after them, the good is oft interred with their bones.” McMurty seems to modify it slightly to imply, “The evil men live after the good ones are interred with their bones.”
• 
  Jim

  Larry McMurtry's first novel is a rather remarkable slice of Texas life in the relatively modern era. HORSEMAN, PASS BY was made into a popular movie, HUD. But the novel is darker than the film, which nudged one character's moral character slightly toward the sympathetic and shoved another character into an entirely different race. Paul Newman, at the height of his coolness and fame when HUD was filmed, played the title character with menace, anger, and plenty of moral turpitude. But he also played him cool, with a radiant charm that almost succeeded in overcoming the darkness at Hud's heart. It is unlikely that Newman would have ever taken the role of Hud had it been certain to follow precisely in the book's depiction. It's just as unlikely that the film itself would have been made had it been a requirement not to water it down. In the movie, Hud is an anti-hero, and Newman in the role became the pinup boy for such types. In HORSEMAN, PASS BY, Hud is more than an anti-hero. He is largely despicable. At one point in the book, he commits an act so outrageous and horrifying that it is hard to imagine how anyone ever thought of making a movie with Paul Newman out of the book. But the rest of the book is reflected rather well in the film, and there is the same taste of loneliness, isolation, and desperation in both, a reflection of the harsh life in the North Texas ranchlands. Hud's father Homer faces obstacles every day in running his cattle ranch, but the discovery of one dead heifer catapults him into the greatest challenge of his life. His grandson Lonnie, the book's (and film's) viewpoint character, loves his grandfather and the ranch, but yearns for some inchoate desire he can't quite define. McMurtry is a master at the dialogue of these cattle folk, people identical to the ones he grew up with in North Texas in a town very much like Thalia, the town he focuses on in this and several other books. It's a moving and affecting ride through the lives of some hard people and some harder hearts.
• 
  Meredith

  It is very possible to die of a broken heart.
  It’s shameful how some people can simply get away with mean-spirited entitlement, violence and destruction.
  You can watch these things happening around you and let it crush your spirit.
  But sometimes, especially when you’re seventeen and with few rules to govern you, you can just roll with it and carry on.
  
  
• 
  Julie

  This was a great intense read. It reminded me of border trilogy books by Cormac McCarthy. Hard to believe this is his first book.
• 
  Simon Robs

  Cast a cold Eye
  On Life, on Death.
  Horseman, pass by!
  [W.B. Yeats]
• 
  Tina

  Amazingly, I have very little to say about this novel other than Hud is one of the meanest characters I’ve met in a while.
• 
  Jon Zelazny

  Having loved HUD (1963) for decades, I was shocked-- Shocked!!-- to find young Lon's original prose narration full of words like fucker, chickenshit, nigger, and nooky, and to see him killing frogs with a pistol out of sheer boredom. What can I say? This is a finely-observed debut novel, but I'll take Hollywood's censored, gorgeously-photographed depiction of small town malaise any day.
• 
  Bob Wake

  Paul Newman was reportedly dismayed that his titular role as a complete bastard in the 1963 film Hud became celebrated as an antiestablishment icon. A “nihilistic heel,” as Pauline Kael described him. The character of Hud, no surprise, is even worse in Larry McMurtry’s 1961 source novel, Horseman, Pass By. In fact, Hud is one of the most memorably chilling of literary villains. This was 25-year-old McMurtry’s debut novel.
• 
  Ron

  This was Larry McMurtry's first novel, published in 1961, long before "Lonesome Dove." It's also his first of several books set in and around the small Texas town of Thalia. The story was quickly transformed into a Paul Newman film "Hud" in 1963, which is the version of the story most people know. In spirit, the two stories are similar - they are both anti-westerns, in which code of the West is subverted and corrupted by failure of moral character.
  
  But McMurtry's novel tells a story with a darker vision. At the center is Lonnie, the teenager growing up on his grandfather's ranch, and it's through his eyes that we see the cold, self-serving indifference of his uncle Hud. Still a boy, unschooled in much of anything besides the dawn-to-dusk labor of ranch work, Lonnie is no moral center, following his grandfather's example. In many ways, he accepts Hud's violent behavior, his disrespect for the old man, and his ruthless use of women as a kind of norm. In the end, as he leaves the ranch, he takes the first steps toward a life that may well be no more rewarding or purposeful than that of the regretful hired hand Jesse, who gets too drunk to ride his cutting horse in the rodeo.
  
  To streamline the story, the film has scaled back or eliminated interesting key characters like Jesse, another ranch hand Lonzo, a neighbor Hank, and a friend Hermy, who is badly injured trying to ride a bull. Also, by casting a white woman in the role of the black cook Halmea (Patricia Neal's Alma), the film sidesteps a racial dimension that the novel brings to the story.
  
  So for readers who know and like the film, this is a very different telling of the story and well worth reading. As usual in McMurtry's early novels, there is a richly detailed capturing of character, speech, and setting. He knows these people inside and out, how they think, talk, and behave. He also totally deromanticizes ranch work, representing it as mercilessly hot, dusty, and exhausting. The small-town rodeo, with its drinking, womanizing cowboys, fares little better. I heartily recommend this novel for anyone interested in the rural West and ranching, along with McMurtry's more melancholy but less bleak "Leaving Cheyenne."
• 
  Rod

  I've seen the movie Hud so many times that it probably colored my perception of this book too much while I was reading it, and I'm sure I would have enjoyed Horseman, Pass By more if I had never seen the movie which was adapted from it; that said, I still enjoyed it a great deal. McMurtry's a terrific writer and his concise yet often aridly poetic prose captures the feel of coming of age in a small western town in the mid-20th century perfectly.
  
  Those who come to the book after having seen the movie will probably be shocked by the book's portrayal of the Hud character. In the movie, the titular character of Hud is a charming, raffishly likable (no doubt the benefit of being portrayed by the charismatic Paul Newman), yet entirely self-interested scoundrel. In Horseman, Hud is something closer to a sociopath--a charming cad, still, but colder, more vicious, and even more indifferent to the feelings of other human beings. It makes the character as portrayed in the book a lot harder to take, but like the movie, the book isn't really about Hud so much as it is about Lonnie, and his Granddad, and their relationship to each other and to the changing West.
  
  I highly recommend both the book and the movie, but I have to admit that as fine as Horseman, Pass By is, the images from Hud are what is going to stick with me.
• 
  Jim

  
  Larry McMurtry's
  Horseman, Pass By is his first novel and contains the story upon which the movie Hud (1963) with Paul Newman was based. The story is told from the point of view of Lonnie, the younger grandson of rancher Homer Bannon. The character of Scott (Hud), the other grandson, is important only in the latter part of the novel, when he tries to take over from Homer.
  
  It's hard to conceive of a novel about ranching as being anything other than a bore, but McMurtry manages to bring it off.
  
  In the end, Horseman, Pass By ends up as a paean to a dying way of life. In the end, the characters we have followed wonder off the stage, and Lonnie hitches a ride on a truck to visit a friend injured bull-riding in the Thalia rodeo.
  
  This is the first volume of three set in the town of Thalia, the others being Leaving Cheyenne and The Last Picture Show, which was made into a film by Peter Bogdanovich.
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  Chris

  The writing was excellent, but the story just was not my cup of tea. Set on a ranch in rural Texas in the post-WWII era, it pits the honest and hard-working Homer Bannon against the amoral step-son Hud and is told through the eyes of Homer's teenage grandson, Lonnie.
• 
  Debra Diggs

  Excellent writing and the story blew me away. But be prepared, it is really harsh.