Odilon Redon: Prince of Dreams, 1840-1916 by Odilon Redon


Odilon Redon: Prince of Dreams, 1840-1916
Title : Odilon Redon: Prince of Dreams, 1840-1916
Author :
Rating :
ISBN : 0810937697
ISBN-10 : 9780810937697
Language : English
Format Type : Hardcover
Number of Pages : 464
Publication : First published May 1, 1994

The work of French Symbolist painter Odilon Redon has long been seen as a direct link between the 19th century and the development of modern art. Now Douglas W. Druick, Searle curator of European paintings at The Art Institute of Chicago, has gathered more than 500 color and black-and-white reproductions of the artist's well-known and more obscure works.


Odilon Redon: Prince of Dreams, 1840-1916 Reviews


  • Frank McAdam

    Unlike many other art books, Odilon Redon: Prince of Dreams was not published as a catalog intended to accompany an exhibit. Perhaps for that reason it is much more comprehensive than most I've read. Containing essays by a number of authors, the book traces Redon's development as an artist from his childhood drawing lessons through his later years when he grew in stature to become one of the most important artists of the Symbolist movement.

    The best essays are those written by Douglas W. Druick together with Peter Kort Zegers that trace the artist's biography before 1900. Other chapters of interest are "Redon and the Transformation of the Symbolist Aesthetic" by Maryanne Stevens and "Redon's Spiritualism and the Rise of Mysticism" by Fred Leeman. On the other hand, while the two essays dealing with "Redon and the Marketplace" by Kevin Sharp might be of value to collectors, they are of little interest to general readers. By far the most useful chapter to those who themselves practice the visual arts, and one I wish more art books contained, was that dealing with the materials actually used by Redon in his work. Entitled "Beneath the Surface" and written by Harriet K. Stratis, it contains a fairly exhaustive study of the papers and art supplies available in the late nineteenth century as well as the manner in which they were employed by the artist. Such an analysis is especially important in the case of Redon because he worked in such a wide range of genres, from drawings and pastels to etchings and lithographs.

  • Juli Anna

    Beautiful and comprehensive.

  • Mills College Library

    759.4 R319 1994